![]() During October 1958 he led a quintet at the Hillcrest that included Ornette Coleman (alto saxophone), Don Cherry (trumpet), Billy Higgins (drums), and Charlie Haden (double bass). In 1957 Bley re-located to Los Angeles, where his bookings included a lengthy engagement at the Hillcrest Club. The Jazz Workshop organized a February 1953 visit to Montreal by Charlie Parker, who performed live on CBFT television (with Bley on piano) and at the Chez Paree nightclub.ĭuring the mid 1950s, Bley toured with his own trio and also appeared in groups led by Lester Young, Chet Baker, Jackie McLean, and others. In 1952 he co-founded the Jazz Workshop in Montreal, an organization which presented concerts featuring soloists from NYC accompanied by local musicians. Although based in NYC, Bley remained active in the Montreal scene. ![]() His debut LP recording, Introducing Paul Bley, was released in 1953. In 1950 Bley enrolled in the Juilliard School of Music, New York City (NYC), and became active in that city's jazz scene. In 1949, he replaced Oscar Peterson at the Alberta Lounge. As a child in Montreal, Bley studied first violin and then piano, and by the mid to late 1940s he was the leader and pianist in jazz groups in and around Montreal. ![]() The fonds comprises the following series: MUS 297/A Biographical Records and Scrapbooks MUS 297/B Personal and Professional Correspondence MUS 297/C Business Records MUS 297/D Records Concerning Paul Bley Performances and Tours MUS 297/E Paul Bley Recordings and Related Records MUS 297/F Compositions by Paul Bley MUS 297/G Writings by Paul Bley MUS 297/H Print Matter Concerning Paul Bley MUS 297/I Photographs and Drawing MUS 297/J Recordings of Other Musicians and Related Records MUS 297/K Compositions and Transcriptions of Other Composers and Improvisers, and Other Sheet Music MUS 297/L Writings by Others MUS 297/M Other Print Matter MUS 297/N Varia.īley, Paul, 1932-2016 : Born in Montreal in 1932, Paul Bley is one of the few Canadian jazz musicians of his generation to have achieved international recognition as a concert and recording artist. Among the types of documentation included in the fonds are: sound and video recordings a film correspondence scrapbooks of press clippings, other print matter, photographs, and other memorabilia sketches and scores (manuscript and printed) of musical compositions, and transcriptions (mostly of improvised solos) promotional material, such as concert programmes, posters, discographies, and press releases contracts and agreements itineraries notes lists sales and royalty statements, and other financial records legal records rolodex cards and other contact information files photographs and a drawing manuscripts and typescripts of writings recorded and transcribed interviews and conversations press clippings, periodicals, record catalogues, and other print matter. (IAI), including the production, promotion, and distribution of IAI recordings, arrangements for tours by other artists on the IAI roster, and the role of Carol Goss in IAI negotiations, contracts, and other arrangements for tours, recording sessions, and broadcasts music publishing, licensing, and royalties contacts with other jazz musicians and with organizations such as the Europe Jazz Network Bley's position on the faculty of the New England Conservatory of Music recordings by other musicians, including those made for IAI and other archival recordings accumulated by Bley writings by Bley and by others, including his autobiography and family, personal, and other matters. The fonds documents: Bley's musical formation and the early years of his career in Montreal his career as a touring live performer his recording projects (live and studio), including post-recording stages such as editing, assembly, and mixing the other musicians with whom he toured and recorded Bley's compositions and compositions by others in his repertoire the operations of Improvising Artists Inc. ![]() The fonds contains records concerning the professional and personal aspects of Paul Bley's life and career as a jazz musician in Canada, the United States of America, Europe, Japan, and elsewhere.
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